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If you're hoping for some great photos, be sure to talk to a guide service about
the locations and times when you'll have the best opportunities. The best shooting
locations get crowded. Due to limited space you will have to hope for a spirit of
cooperation with the other photographers and the tour groups. Be prepared for tourists
that don't understand the words "no flash." Your best bet may be to visit in the fall or
spring months when the tourist traffic is low.
IMHO, here are the best ways to get good photos during your visit to the slot canyons.
(Your milage may vary.)
- Take a tripod, even if it's a mini tripod that you brace sideways against the
canyon walls. If you don't have a tripod, you may be able to get by if your digital
camera has a fast "shutter speed" and image stabilization.
-
Take a digital camera. I took a film camera as my main camera and I regret it.
The main problem is that your camera "sees" things differently than you do in low light.
Your pictures will show colors that your eyes can't detect, and a digital camera will
let you see those colors as your taking the shots.
- Take a camera with a large LED screen on the back. The ability to preview your
photos as you take them is key. The larger the LED, the better you chance to notice
flaws while you're there and can retake the shot. Stray bits of light hitting your
lens may be enough to sabotage you shot without showing up in a smaller preview.
- Stay away from the light. Your lens will be tilted upwards at least slightly
on most of your photos, so your best (cleanest) low light shots will come when you're
located in deep shadow. Even a few stray rays of light on the lens can cause you grief.
A small lens may help to reduce this problem by reducing the surface area that can be hit.
- Know your camera, and be able to operate it quickly and efficiently in very low
light conditions. A small LED flashlight is a good idea, because it provides enough
light to let you see what you're doing without spoiling the shot for others.
- Be prepared to hit the ground running in Antelope Canyon. The place is
overrun with tourists, and is not photographer friendly. There seems to be only
small gaps between tour groups so your chance to get many of the good photos is
limited to what you get in the 'gap.' Set up your camera and tripod outside as
you're waiting to get in.
- If you're going for film, get ISO 400 or higher. Forget the polarizing filter.
Go for the daylight filter just to protect your lens. When bracketing your shots,
go plus and minus three f-stops. One or two don't provide enough difference to be
significant.
- Try to protect your camera as much as possible. Sand is evil, and if there is a
breeze outside sand will be drifting in on top of your camera, producing crunchy
sounds from your lens from that time on.
- If you're taking a zoom lens, you'll probably want a short one that ranges around
the normal focal length of your camera.
- Get photo-editing software if you don't already have some. There were many photos
that needed cropping and gamma correction before resizing for the web.
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